
Recently while looking through an old folder of painting ideas, I found a rough sketch of a colonial era man and son hiding in a deadfall behind big trees while some turkeys were coming up and over the side of the hill. The art was to be a springtime painting. I debated about painting this idea when I thought of doing art with elk instead. I quickly roughed out an idea only to rework it shortly afterwards. (See below.)

The rough, as you can see, was different from the finalized painting. One distinct change was the elk positioning. Originally, I planned on having slope variations as often found in the mountains of Pennsylvania.

It wasn’t until after I had painted for a time that I decided the elk and the varied slopes wasn’t working for me. the changes began to happen!


As you can see from the completed work above, I did eliminate the slope variations to show the entire bodies of the elk.

The original painting was done in acrylics and was painted on a twenty by thirty-inch gesso-prepared panel.